Abstract:
This thesis undertakes an examination of the fundamental concepts materiality, immateriality, dematerialization, and deobjectification across three layers: theoretical frameworks, historical contexts in art, and operational considerations in art institutions.
The first chapter focuses into an analysis of key terms such as materiality, immateriality, hypermateriality, dematerialization, deobjectification, agency, and material/immaterial labor. This foundational review establishes a framework for understanding the complexity of these concepts.
In the second chapter, is presented a selective genealogy tracing exemplary cases in art history where issues of materiality, immateriality, or dematerialization have been manifest and taken into consideration. This historical overview sheds light on the transformative influence of these concepts on the artistic expression.
The third and final chapter presents the challenges and impact of the material transformations of art in the critical aspects of art institutions. Specifically are examined the implications for collecting, restoring, curating, and managing art within contemporary institutional practices.
Offering a comprehensive perspective that integrates theory and practical considerations. this thesis wants to contribute to an understanding of materiality in the context of art, providing valuable insights from different academic scholars, practitioners, and theorists of the field.
