Jane Campion's "The Piano",a Gothic Romance Film

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dc.contributor.advisor Vanon, Michela it_IT
dc.contributor.author Ifrim, Alina Mihaela <1984> it_IT
dc.date.accessioned 2017-02-23 it_IT
dc.date.accessioned 2017-05-08T03:44:16Z
dc.date.issued 2017-03-24 it_IT
dc.identifier.uri http://hdl.handle.net/10579/9419
dc.description.abstract This dissertation aims at examing Jane Campion's “The Piano” as one of the few films directed by a woman to achieve critical and financial success. It will demonstrate that the film is inspired by Gothic Romantic writing in the tradition of the Bröntes and explore the relationship between fetishism and love. Chapter 1 introduces Jane Campion and her oeuvre, providing an overview of “The Piano”. Chapter 2 looks at the Gothic tradition and discusses the Gothic romance on screen. Chapter 3 returns to Jane Campion's “The Piano” exploring Gothic and Romantic elements of the film. it_IT
dc.language.iso it_IT
dc.publisher Università Ca' Foscari Venezia it_IT
dc.rights © Alina Mihaela Ifrim, 2017 it_IT
dc.title Jane Campion's "The Piano",a Gothic Romance Film it_IT
dc.title.alternative it_IT
dc.type Master's Degree Thesis it_IT
dc.degree.name Lingue e letterature europee, americane e postcoloniali it_IT
dc.degree.level Laurea magistrale it_IT
dc.degree.grantor Dipartimento di Studi Linguistici e Culturali Comparati it_IT
dc.description.academicyear 2015/2016, sessione straordinaria it_IT
dc.rights.accessrights closedAccess it_IT
dc.thesis.matricno 831696 it_IT
dc.subject.miur it_IT
dc.description.note it_IT
dc.degree.discipline it_IT
dc.contributor.co-advisor it_IT
dc.subject.language INGLESE it_IT
dc.date.embargoend 10000-01-01
dc.provenance.upload Alina Mihaela Ifrim (831696@stud.unive.it), 2017-02-23 it_IT
dc.provenance.plagiarycheck Michela Vanon (vanallia@unive.it), 2017-03-06 it_IT

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