Wallace Stevens obscure rhetoric in The Man with the Blue Guitar

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dc.contributor.advisor Dowling, Gregory it_IT
dc.contributor.author Santolin, Lisa <1987> it_IT
dc.date.accessioned 2015-06-17 it_IT
dc.date.accessioned 2016-01-30T14:06:53Z
dc.date.issued 2015-07-02 it_IT
dc.identifier.uri http://hdl.handle.net/10579/6709
dc.description.abstract "Does it not seem that Stevens has always been trying to put down those tremendous statements, those tremendous statements heard in dreams?" When I first read this comment made by R.P. Blackmur about Stevens' poetry, I thought these words precisely described my first impression browsing my book for the first time, even just reading the strange-sounding titles of Stevens' poems. His peculiar rhetoric became object of my interest and study; my essay will revolve around precisely this "sense of strain between the discursive and imaginative functions fo language" that seems to permeate Stevens' poetry, analyzing on of his most peculiar poems in these terms, The Man with the Blue Guitar. it_IT
dc.language.iso it_IT
dc.publisher Università Ca' Foscari Venezia it_IT
dc.rights © Lisa Santolin, 2015 it_IT
dc.title Wallace Stevens obscure rhetoric in The Man with the Blue Guitar it_IT
dc.title.alternative it_IT
dc.type Master's Degree Thesis it_IT
dc.degree.name Lingue e letterature europee, americane e postcoloniali it_IT
dc.degree.level Laurea magistrale it_IT
dc.degree.grantor Dipartimento di Studi Linguistici e Culturali Comparati it_IT
dc.description.academicyear 2014/2015, sessione estiva it_IT
dc.rights.accessrights closedAccess it_IT
dc.thesis.matricno 820808 it_IT
dc.subject.miur it_IT
dc.description.note it_IT
dc.degree.discipline it_IT
dc.contributor.co-advisor it_IT
dc.subject.language ANGLO-AMERICANO it_IT
dc.date.embargoend 10000-01-01
dc.provenance.upload Lisa Santolin (820808@stud.unive.it), 2015-06-17 it_IT
dc.provenance.plagiarycheck Gregory Dowling (dowling@unive.it), 2015-06-29 it_IT


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