Abstract:
This thesis delves into the realm of social activism within public art, with a particular focus on the Monumenta Italia project. Led by artist Irene Pittatore and curated by Lisa Parola in collaboration with Tea Taramino, the initiative aims to spotlight the underrepresentation of women in public monuments.
Drawing from my internship at Recontemporary, the host of the project’s exhibition and workshops, I explore the intricate relationship between women and public spaces. Analyzing Monumenta Italia initiative, which originates from the Monumentale dimenticanza project, in this thesis I seek to unravel implications regarding the forgetting of historical female figures in cities and towns. A critical aspect is the predominant portrayal of women as allegories or archetypes rather than representing real historical figures. Addressing this, the research emphasizes the importance of providing tangible representation for women in public spaces. By creating a platform for constructive dialogue, Monumenta Italia aims to open eyes, foster empowerment, and pave the way for future generations to embrace diverse narratives and perspectives in the public realm.
Key themes encompass the exploration of the female presence in public monuments, the symbolism embedded in artistic representations, and the role of social activism in challenging traditional narratives. By examining the intersection of women, public spaces, and Monumenta Italia’s interventions, this research aims to contribute to the broader discourse on gender, representation, and social activism in contemporary public art.
