Abstract:
This study highlights the crucial significance of repurposing historical buildings as museums in Italy, emphasising the implications of such conversions. The investigation particularly concentrates on the cities of Venice and Palermo, illuminating the intricacies and importances of utilising architectural heritage for cultural preservation and public access.
This thesis delves into the origin of museology, exploring its emergence alongside the broadening of museum audiences. The initial chapter scrutinises how museums revised their approach to accommodate a diverse public that influenced alterations in museum management, artwork presentation, building architecture, and educational functions. The subsequent chapter focuses on the architect Carlo Scarpa, analysing his contributions to Gallerie dell’Accademia in Venice and Palazzo Abatellis in Palermo. An evaluation of the current condition of these museums enlightens us on Scarpa’s enduring impact. The third chapter explores two palaces from the late 17th-century, the Ca’ Rezzonico Museum in Venice and Palazzo Butera in Palermo, demonstrating how historical residences can be converted into museums, preserving and presenting culturally significant objects and works of art.
The central theme of the study is to highlight the timeless charm and relevance of these historic palaces in the present day. These frameworks continue to captivate and engage individuals, underscored by their lasting significance and appeal in the contemporary cultural landscape.
