Abstract:
This thesis delves into how contemporary biopics illuminate the profound contributions of black jazz musicians, specifically Bessie Smith and Miles Davis, to American society. By examining their lives and artistic endeavors in the context of a segregated America, the research sheds light on the enduring value of their music as an integral part of America's cultural heritage. The study also explores how these biopics navigate the personal struggles of Smith and Davis, providing a nuanced portrayal of the challenges they faced. As Gerald Early aptly stated, "There are only three things that America will be remembered for 2000 years from now when they study this civilization: The Constitution, Jazz music, and Baseball." This research underscores the cinematic lens through which these biopics capture and celebrate the indelible legacy of jazz in shaping the American cultural landscape.
