dc.contributor.advisor |
Bassi, Shaul |
it_IT |
dc.contributor.author |
De Pieri, Elisa <1992> |
it_IT |
dc.date.accessioned |
2021-04-11 |
it_IT |
dc.date.accessioned |
2021-07-21T07:06:02Z |
|
dc.date.available |
2021-07-21T07:06:02Z |
|
dc.date.issued |
2021-05-13 |
it_IT |
dc.identifier.uri |
http://hdl.handle.net/10579/18544 |
|
dc.description.abstract |
(work in progress. To be filled in within 31/01)
First part: analysis of the Arthurian matter throughout the English history, with a focus on its source materials and the exploitation of the Arthurian myth by the passing monarchies.
Second part: analysis of contemporary Arthurian retellings with T. H. White's "The Once and Future King" as starting point; following with Marion Zimmer Bradley's "The Mists of Avalon", Mary Stewart's "The Merlin Trilogy" plus "The Wicked Day" with an analysis focused mostly on the matters of magic/religion, gender and sexuality. These texts will be furtherly studied together with Vera Chapman's "The Enchantresses" and "The Three Damosels" arguing their different approaches to feminism and female agency. The last part will cover the concept of national memory by taking in analysis Kazuo Ishiguro's "The Buried Giant" and Philip Reeves "Here Lies Arthur". |
it_IT |
dc.language.iso |
en |
it_IT |
dc.publisher |
Università Ca' Foscari Venezia |
it_IT |
dc.rights |
© Elisa De Pieri, 2021 |
it_IT |
dc.title |
Im-mortality: death and rebirth of King Arthur and his kingdom |
it_IT |
dc.title.alternative |
Im-mortality: The Literary Death and Rebirth of King Arthur and His Kingdom |
it_IT |
dc.type |
Master's Degree Thesis |
it_IT |
dc.degree.name |
Lingue e letterature europee, americane e postcoloniali |
it_IT |
dc.degree.level |
Laurea magistrale |
it_IT |
dc.degree.grantor |
Dipartimento di Studi Linguistici e Culturali Comparati |
it_IT |
dc.description.academicyear |
2019-2020, sessione straordinaria LM |
it_IT |
dc.rights.accessrights |
openAccess |
it_IT |
dc.thesis.matricno |
836211 |
it_IT |
dc.subject.miur |
L-LIN/10 LETTERATURA INGLESE |
it_IT |
dc.description.note |
One of the most interesting facts about the legend of King Arthur is its immortality: despite all the time –the literal centuries – which have passed, King Arthur never fails to capture the interest of artists and novelists and their audience.
In this dissertation I should like to analyse how King Arthur’s legend has been kept alive throughout the centuries: at first, we shall review the historical sources of the myth of King Arthur, and how they presented the legend according to the needs and the desires of their author. Indeed, we shall see how the myth of King Arthur, being inextricably linked to the themes of nation and kingdom, was used in earlier times for propagandistic goals.
Subsequently, I will present how the legend of King Arthur can still be used even nowadays in order to propel different messages which are not exclusively linked to an ideal of Britishness and yet are dear to the authors who re-interpret the legends according to their own views. Specifically, I will focus on the famous Arthurian retelling by T. H. White, "The Once and Future King", who enriched Malory’s Arthurian canon with his deeply-felt antiwar rhetoric and his Freudian explanation regarding some of the legendary dynamics between the Arthurian characters. To conclude, I will compare the different perspectives on religion and spirituality which Mary Stewart and Marion Zimmer Bradley explicate in their own Arthurian retellings, respectively "The Merlin Trilogy" and "The Mists of Avalon", and whether or not they succeed in bringing forth a secondary theme of female agency. |
it_IT |
dc.degree.discipline |
|
it_IT |
dc.contributor.co-advisor |
|
it_IT |
dc.subject.language |
INGLESE |
it_IT |
dc.date.embargoend |
|
it_IT |
dc.provenance.upload |
Elisa De Pieri (836211@stud.unive.it), 2021-04-11 |
it_IT |
dc.provenance.plagiarycheck |
Shaul Bassi (bassi@unive.it), 2021-04-26 |
it_IT |