An Enactivist Approach on Contemporary Serial YA Speculative Fiction: J.K. Rowling’s Harry Potter, Cassandra Clare’s The Mortal Instruments and Suzanne Collins’s Hunger Games as key studies

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dc.contributor.advisor Masiero, Pia it_IT
dc.contributor.author Ballasso, Sara <1994> it_IT
dc.date.accessioned 2018-10-08 it_IT
dc.date.accessioned 2019-02-19T15:14:48Z
dc.date.available 2019-02-19T15:14:48Z
dc.date.issued 2018-10-23 it_IT
dc.identifier.uri http://hdl.handle.net/10579/13975
dc.description.abstract This work argues that the cognitive theoretical approach called enactivism is the most functional to interpret contemporary YA speculative fiction. J.K. Rowling’s Harry Potter saga, Cassandra Clare’s The Mortal Instruments esalogy and Suzanne Collins’s Hunger Games trilogy are the three case studies here analyzed. My original contribution to the rich debate on YA speculative fiction concerns the specific slant I propose which complements the many different perspectives already existing, from feminist, to socialist, to religious, posthumanist, to name a few; all of these perspectives take into consideration mostly one particular theme at a time, and the link between YA production and children’s literature. I argue that an enactivist perspective can provide an explanation for the increasing diffusion of these narratives among young adults but especially among adults, thanks to the focus on the interaction between text and reader, and also between readers and their contemporary environment; from this last interaction, also a multiplicity of themes usually conveyed by these narratives can be explained. I start from an explanation of Marco Caracciolo’s The Experientiality of Narrative, which provides the reader the basic tenets of enactivism in literature, then I proceed with mapping YA literature and speculative fiction considering their origins, narrative techniques and empathic bonds established with readers, to come eventually to focus on close readings and take a closer look at the themes in the three case studies I selected. it_IT
dc.language.iso en it_IT
dc.publisher Università Ca' Foscari Venezia it_IT
dc.rights © Sara Ballasso, 2018 it_IT
dc.title An Enactivist Approach on Contemporary Serial YA Speculative Fiction: J.K. Rowling’s Harry Potter, Cassandra Clare’s The Mortal Instruments and Suzanne Collins’s Hunger Games as key studies it_IT
dc.title.alternative An Enactivist Approach on Contemporary Serial YA Speculative Fiction: JK Rowling's Harry Potter, Cassandra Clare's The Mortal Instruments and Suzanne Collins's The Hunger Games as key studies it_IT
dc.type Master's Degree Thesis it_IT
dc.degree.name Lingue e letterature europee, americane e postcoloniali it_IT
dc.degree.level Laurea magistrale it_IT
dc.degree.grantor Dipartimento di Studi Linguistici e Culturali Comparati it_IT
dc.description.academicyear 2017/2018, lauree sessione autunnale it_IT
dc.rights.accessrights openAccess it_IT
dc.thesis.matricno 847234 it_IT
dc.subject.miur L-LIN/11 LINGUE E LETTERATURE ANGLO-AMERICANE it_IT
dc.description.note it_IT
dc.degree.discipline it_IT
dc.contributor.co-advisor it_IT
dc.subject.language ANGLO-AMERICANO it_IT
dc.date.embargoend it_IT
dc.provenance.upload Sara Ballasso (847234@stud.unive.it), 2018-10-08 it_IT
dc.provenance.plagiarycheck Pia Masiero (masiero@unive.it), 2018-10-22 it_IT


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